{"id":5309,"date":"2020-11-04T11:12:18","date_gmt":"2020-11-04T08:12:18","guid":{"rendered":"https:\/\/akademiye.org\/tr\/?p=5309"},"modified":"2020-11-04T11:12:18","modified_gmt":"2020-11-04T08:12:18","slug":"uygur-minyaturlerinde-metin-resim-iliskisi-ve-sonrasi","status":"publish","type":"post","link":"https:\/\/akademiye.org\/tr\/?p=5309","title":{"rendered":"Uygur minyat\u00fcrlerinde metin-resim ili\u015fkisi ve sonras\u0131"},"content":{"rendered":"<p><span style=\"color: #0000ff\"><strong> <img decoding=\"async\" src=\"https:\/\/akademiye.org\/tr\/wp-content\/uploads\/2020\/11\/taner-alakus-minyatur-02.jpg\" \/><\/strong><\/span><\/p>\n<p><span style=\"color: #0000ff\"><strong>Dr.\u00d6\u011fr.\u00dcyesi \u015eehnaz B\u0130\u00c7ER \u00d6ZCAN<\/strong><\/span><\/p>\n<p><span style=\"color: #0000ff\"><strong>\u00d6zet<\/strong><\/span><\/p>\n<p>Minyat\u00fcr sanat\u0131n\u0131n temel unsuru, yazmadaki metni g\u00f6rsel olarak izleyene sunmakt\u0131r. Bu ba\u011flamda minyat\u00fcr metin ile ili\u015fkilidir. Anlat\u0131lmak veya vurgulan- mak istenen olay veya ki\u015filerin \u00e7\u00f6z\u00fcmlemesi metnin tam olarak okunmas\u0131 ve in- celenmesi ile m\u00fcmk\u00fcnd\u00fcr. Yazman\u0131n olu\u015fum a\u015famas\u0131ndaki s\u0131ra, metnin \u00f6nce yaz\u0131l\u0131p minyat\u00fcr\u00fcn sonra yap\u0131lmas\u0131d\u0131r. Dolay\u0131s\u0131yla yaz\u0131m a\u015famas\u0131nda hangi sayfaya minyat\u00fcr gelece\u011fi veya hangi sahnenin yap\u0131laca\u011f\u0131 hususu belirlenmi\u015f olmal\u0131d\u0131r. Kimi minyat\u00fcrlerde me- tin, minyat\u00fcr\u00fcn \u00fcst veya alt k\u0131smanda dikd\u00f6rtgen bir par\u00e7a olarak devam eder. Minyat\u00fcrlerde kimi zaman da metin; fig\u00fcr veya yap\u0131n\u0131n kenar\u0131nda, yap\u0131n\u0131n ve- ya \u015fahs\u0131n isimlerinin yaz\u0131m\u0131 olarak yer al\u0131r. Bu durum, resmi destekleyici olarak konunun daha iyi anla\u015f\u0131lmas\u0131 ve \u015fah\u0131slar\u0131n veya yerlerin belirlenmesi i\u00e7in uygu- lan\u0131r. Farkl\u0131 d\u00f6nemlerde ve co\u011frafyalarda yazma eserlerdeki metin-minyat\u00fcr ili\u015f- kisi Osmanl\u0131 Devleti&#8217;nin sonuna kadar yani yazma eser gelene\u011finin bitimine ka- dar s\u00fcrm\u00fc\u015ft\u00fcr. Makalemiz Uygur Manihaist elyazmalar\u0131ndaki metin-minyat\u00fcr ili\u015fkisinin analizi ile ilgilidir.<\/p>\n<p><span style=\"color: #0000ff\"><strong>Anahtar Kellmeler:<\/strong><\/span> Asya, Uygur, T\u00fcrk Sanat\u0131, Manihaizm, Minyat\u00fcr.<\/p>\n<p>Makalenin tamam\u0131na eri\u015fmek i\u00e7in l\u00fctfen linki t\u0131klay\u0131n: <a href=\"https:\/\/akademiye.org\/tr\/wp-content\/uploads\/2020\/11\/Uygur-minyaturlerinde-metin-resim-iliskisi-ve-sonrasi.pdf\">Uygur minyat\u00fcrlerinde metin-resim ili\u015fkisi ve sonras\u0131<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr.\u00d6\u011fr.\u00dcyesi \u015eehnaz B\u0130\u00c7ER \u00d6ZCAN \u00d6zet Minyat\u00fcr sanat\u0131n\u0131n temel unsuru, yazmadaki metni g\u00f6rsel olarak izleyene sunmakt\u0131r. Bu ba\u011flamda minyat\u00fcr metin ile ili\u015fkilidir. Anlat\u0131lmak veya vurgulan- mak istenen olay veya ki\u015filerin \u00e7\u00f6z\u00fcmlemesi metnin tam olarak okunmas\u0131 ve in- celenmesi ile m\u00fcmk\u00fcnd\u00fcr. Yazman\u0131n olu\u015fum a\u015famas\u0131ndaki s\u0131ra, metnin \u00f6nce yaz\u0131l\u0131p minyat\u00fcr\u00fcn sonra yap\u0131lmas\u0131d\u0131r. Dolay\u0131s\u0131yla yaz\u0131m a\u015famas\u0131nda hangi sayfaya minyat\u00fcr [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-5309","post","type-post","status-publish","format-standard","hentry","category-uygur-tarihi-ve-kulturu"],"_links":{"self":[{"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=\/wp\/v2\/posts\/5309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5309"}],"version-history":[{"count":1,"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=\/wp\/v2\/posts\/5309\/revisions"}],"predecessor-version":[{"id":5317,"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=\/wp\/v2\/posts\/5309\/revisions\/5317"}],"wp:attachment":[{"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akademiye.org\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}